1942 AD., Italy, Mussolini´s dictatorship, Vittorio Emanuele III as king, Rome mint, 5 Centesimi, KM 73a.

Italy, Fascist Government - Mussolini´s legal dictatorship, Vittorio Emanuele III serving as king, engraver: Giuseppe Romagnoli, Rome mint, 1942 AD.,
5 Centesimi (ø 19,5 mm / 2,93 g), aluminium-bronze, 3,00 g. theor. mint weight, mintage 13.922.000 , axes coin alignment ↑↓ (180°), plain edge,
Obv.: VITT·EM· - III·RE·E·IMP· , his head facing right.
Rev.: ITALIA / 1942 - XX / R - C. - 5 / G·ROMAGNOLI , eagle standing facing on fasces, head r., wings spread, crowned arms, date and Mussolini´s regnal year XX (20 in Roman numerals), value and engraver´s name below.
KM 73a .

Year / Mint Mark / Mintage / regnal year
1939 R 10.632.000 XVII
1940 R 16,340,000 XVIII
1941 R 25,200,000 XIX
1942 R 13.922.000 XX
1943 R 372,000 XXI (rare)

Fasces (a plurale tantum, from the Latin word fascis, meaning "bundle") symbolise summary power and jurisdiction, and/or "strength through unity."
The traditional Roman fasces consisted of a bundle of birch rods tied together with a red ribbon as a cylinder. In wartime they were wrapped around an axe. One interpretation of the symbolism suggests that despite the fragility of each independent single rod, as a bundle they exhibit strength.
Numerous governments and other authorities have used the image of the fasces as a symbol of power since the end of the Roman Empire. Italian fascism, which derives its name from the fasces, arguably used this symbolism the most in the 20th century.
The fasces lictoriae ("bundles of the lictors") (in Italian, fascio littorio) symbolised power and authority (imperium) in ancient Rome. A corps of apparitores (subordinate officials) called lictors each carried fasces as a sort of staff of office before a magistrate, in a number corresponding to his rank, in public ceremonies and inspections, and bearers of fasces preceded praetors, propraetors, consuls, proconsuls, Masters of the Horse, dictators, and Caesars. During triumphs (public celebrations held in Rome after a military conquest) heroic soldiers — those who had suffered injury in battle — carried fasces in procession.
Roman historians recalled that twelve lictors had ceremoniously accompanied the Etruscan kings of Rome in the distant past, and sought to account for the number and to provide etymologies for the name lictor.
Believed to date from Etruscan times, the symbolism of the fasces at one level suggested strength through unity. The bundle of rods bound together symbolizes the strength which a single rod lacks. The axe symbolized the state's power and authority. The rods symbolized the state's obligation to exercise restraint in the exercising of that power. The highest magistrates would have their lictors unbind the fasces they carried as a warning if approaching the limits of restraint.
The Romans adopted the symbol of the fasces from the Etruscans. It may have an earlier link to the eastern Mediterranean — such as to the labrys, the Anatolian and Minoan double-headed axe, later incorporated into the praetorial fasces.
Traditionally, fasces carried within the Pomerium — the limits of the sacred inner City of Rome — had their axe blades removed. This signified that under normal political circumstances, the imperium-bearing magistrates did not have the judicial power of life and death; that power rested, within the city, with the people through the assemblies. However, during times of emergencies when the Roman Republic declared a dictatorship (dictatura), lictors attending to the dictator kept the axe-blades even inside the Pomerium — a sign that the dictator had the ultimate power in his own hands. But in 48 BC, guards holding bladed fasces guided Vatia Isauricus to the tribunal of Marcus Caelius, and Vatia Isauricus used one to destroy Caelius's magisterial chair (sella curulis).