Arminius Numismatics

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Galerie > Medieval to Contemporary > Europe > Spain and the Spanish Empire > Spain and the Spanish Empire
1928 AD., Spain, 2nd Republic, Madrid, Banco de España, 50 Pesetas, World Paper Money P-75b, A 9.207.757 Reverse. 
State:  Spain, 2nd Republic
Issuer: Banco de España, series from A 8.640.001, B-E (Republic issue)  
Location of issue: Madrid
Date of issue: 15.8.1928
Value: 50 Pesetas
Size: 130 x 90 mm
Material: paper 
Watermark: 
Serial : A
Serial no. : 9.207.757
Signatures: (3)
Printer: Bradbury, Wilkinson & Co. (New Malden, England)
Obv.:  … , violet print, Diego Rodriguez de Silva y Velázquez (from "Las Meninas") and Prado Museum in Madrid.
Rev.: … , dark blue print, painting "La Rendición de Breda" ("The Surrender of Breda") (1635) by Diego Velázquez) .
References: World Paper Money P-75b .

Diego Rodríguez de Silva y Velázquez, Knight of the Order of Santiago (baptized 6 June 1599 – 6 August 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age.  He was an individualistic artist of the Baroque period (c. 1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656).  Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images.  Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, though some portraits were sent abroad as diplomatic gifts, especially to the Austrian Habsburgs. 

La rendición de Breda (English: The Surrender of Breda, also known as Las lanzas – The Lances) is a painting by the Spanish Golden Age painter Diego Velázquez. It was completed during the years 1634–35, inspired by Velázquez's visit to Italy with Ambrogio Spinola, the Genoese-born Spanish general who conquered Breda on June 5, 1625. The painting depicts the exchange of the key of Breda from the Dutch's possession, to the Spanish.  It is considered one of Velázquez's best works. Velázquez composed The Surrender of Breda into two halves, which included the Dutch leader Justinus van Nassau, and Spanish Genoese general, Spinola.. 
The Surrender of Breda depicts a military victory, the 1624 Siege of Breda, during the Eighty Years War. This war began due to a revolt against Philip II of Spain by the Seventeen Provinces, which today includes the Netherlands, Belgium and Luxembourg. Velázquez captured the end of the battle, as he also differentiated the two sides, one which is the Dutch, and the other side, the Spanish. The painting presents the Spanish as a strong force, while including both sides of the battle and depicting facial expressions of fatigue that reflect the reality of war. 
The painting was commissioned by Philip IV of Spain between 1630 and 1635 for the palace of Buen Retiro along the eastern city limits of Madrid. The painting was intended to glorify the military accomplishments and acquisition by the Spanish, uplifting Philip IV. At the time, Spain was in economic decline. The Surrender of Breda was displayed in the Hall of Realms with nineteen other paintings. 


Schlüsselwörter: Spain Republic Madrid Banco España Pesetas Paper Bradbury Wilkinson Malden England Diego Rodriguez Silva Velázquez Prado Museum painting Breda War

1928 AD., Spain, 2nd Republic, Madrid, Banco de España, 50 Pesetas, World Paper Money P-75b, A 9.207.757 Reverse.

State: Spain, 2nd Republic
Issuer: Banco de España, series from A 8.640.001, B-E (Republic issue)
Location of issue: Madrid
Date of issue: 15.8.1928
Value: 50 Pesetas
Size: 130 x 90 mm
Material: paper
Watermark:
Serial : A
Serial no. : 9.207.757
Signatures: (3)
Printer: Bradbury, Wilkinson & Co. (New Malden, England)
Obv.: … , violet print, Diego Rodriguez de Silva y Velázquez (from "Las Meninas") and Prado Museum in Madrid.
Rev.: … , dark blue print, painting "La Rendición de Breda" ("The Surrender of Breda") (1635) by Diego Velázquez) .
References: World Paper Money P-75b .

Diego Rodríguez de Silva y Velázquez, Knight of the Order of Santiago (baptized 6 June 1599 – 6 August 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He was an individualistic artist of the Baroque period (c. 1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656). Velázquez's paintings became a model for 19th-century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images. Most of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, though some portraits were sent abroad as diplomatic gifts, especially to the Austrian Habsburgs.

La rendición de Breda (English: The Surrender of Breda, also known as Las lanzas – The Lances) is a painting by the Spanish Golden Age painter Diego Velázquez. It was completed during the years 1634–35, inspired by Velázquez's visit to Italy with Ambrogio Spinola, the Genoese-born Spanish general who conquered Breda on June 5, 1625. The painting depicts the exchange of the key of Breda from the Dutch's possession, to the Spanish. It is considered one of Velázquez's best works. Velázquez composed The Surrender of Breda into two halves, which included the Dutch leader Justinus van Nassau, and Spanish Genoese general, Spinola..
The Surrender of Breda depicts a military victory, the 1624 Siege of Breda, during the Eighty Years War. This war began due to a revolt against Philip II of Spain by the Seventeen Provinces, which today includes the Netherlands, Belgium and Luxembourg. Velázquez captured the end of the battle, as he also differentiated the two sides, one which is the Dutch, and the other side, the Spanish. The painting presents the Spanish as a strong force, while including both sides of the battle and depicting facial expressions of fatigue that reflect the reality of war.
The painting was commissioned by Philip IV of Spain between 1630 and 1635 for the palace of Buen Retiro along the eastern city limits of Madrid. The painting was intended to glorify the military accomplishments and acquisition by the Spanish, uplifting Philip IV. At the time, Spain was in economic decline. The Surrender of Breda was displayed in the Hall of Realms with nineteen other paintings.

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Datei-Information
Dateiname:KlAlb01rsst.jpg
Name des Albums:Arminius / Spain and the Spanish Empire
Schlüsselwörter:Spain / Republic / Madrid / Banco / España / Pesetas / Paper / Bradbury / Wilkinson / Malden / England / Diego / Rodriguez / Silva / Velázquez / Prado / Museum / painting / Breda / War
Dateigröße:1288 KB
Hinzugefügt am:%01. %300 %2024
Abmessungen:2500 x 1753 Pixel
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URL:http://www.arminius-numismatics.com/coppermine1414/cpg15x/displayimage.php?pid=23154
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